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Alive AG Health Alternative CD Alpha Male Tea P...
11,72 € *
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Alpha Male Tea Party sind eine laute Instrumentalband aus Liverpool mit ihrem zweiten Album auf dem Qualitätsgaranten Big Scary MonstersnnAlpha Male Tea Party sind eine laute Instrumentalband aus Liverpool mit ihrem zweiten Album auf dem Qualitätsgaranten Big Scary Monsters Alpha Male Tea Party are a loud instrumental band from Liverpool. Having spent the best part of three years touring both the U.K and Europe as well as appearances at ArcTanGent, Handmade and Stranegforms Festivals, Alpha Male Tea Party return in 2017 with a new record and new live shows. Following on from 2014's Droids, new album Health is set for release on June 23rd through Big Scary Monsters. TRACKS: 1. Have You Ever Seen Milk 2. Ballerina 3. The Museum of Walking 4. Nobody Had The Heart To Tell Him He Was On Fire 5. Don't You Know Who I Think I Am? 6. Powerful and Professional 7. Carpet Diem 8. Some Soldiers 9. I Still Live At Home 10. No More

Anbieter: Dodax
Stand: 03.06.2020
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Le Luth dans l‘Égypte byzantine./La tombe de la...
91,90 CHF *
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Der Band bereichert das Wissen über bestimmte Aspekte spätantiker ägyptischer [koptischer] Musik und erlaubt, ausgehend von ikonographischen und literarischen Quellen, Einblicke in musikalische Praktiken der Zeit im ostmediterranen Raum und Vorderasien. Die Untersuchung geht aus von einer im frühen 20. Jh. von Albert Gayet im mittelägyptischen Antinoë ausgegrabenen Laute von nur 66,7 cm Länge, die nicht mehr spielbereit, aber mit Schalen-Hals-Konstruktion, zwei von drei Wirbeln und einem Sattel mit Saitenführungskerben weitgehend vollständig erhalten war. Kerben für Holzbünde auf dem Griffbrett überliefern den einstigen Tonvorrat. Das Instrument wurde mit der mumifizierten Toten und allen Grabbeigaben [Glasobjekte, bemalte Keramik, Sandalen, Textilien, Isis-Figur, Vogelmumie etc.], eingehend multidisziplinär untersucht. Dabei ergab sich eine Herabdatierung in byzantinische Zeit [5./6. Jh.]. Auf der Laute konnten siebenstufige Tonleitern erklingen, rechts mit Ganztonfolgen und Dreivierteltonfolgen, die Bezüge zu Ptolemaios und persisch-arabischer Musik aufweisen, links mit kleiner Terz, Ganzton und Halbton. Identität und religiöse Zugehörigkeit der Verstorbenen bleiben unklar. The volume enlarges our knowledge of certain aspects of Late Antique Egyptian [Coptic] music and, based on iconographic and literary sources, it provides insights into musical practices of the time in the Eastern Mediterranean and the Near East. The analysis is founded on an only 66.7 cm long lute excavated in Middle Egyptian Antinoe in the early 20th century by Albert Gayet. It was no longer in a playable state, but with its wooden bowl and neck, two of three tuning pegs and a nut with notches for directing the strings it survived almost completely. Positioning grooves for wooden frets indicate its musical potential in term of tones. The instrument, the mummified dead woman and all grave goods [glass objects, painted pottery, sandals, textiles, figure of Isis, bird mummy etc.] were subjected to intensive multi-disciplinary study. This resulted in a later dating into the Byzantine period [5th/6th century]. The lute was able to produce heptatonic scales consisting of whole tones and three-quarter tones on the right side, which are related to Ptolemy and Persian-Arabian music, and a minor third, a whole tone, and a semi tone on the left. The identity and religious affiliation of the deceased remain uncertain.

Anbieter: Orell Fuessli CH
Stand: 03.06.2020
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Violin Sonatas
6,99 € *
zzgl. 3,00 € Versand

Christy, Earl - Sonate Fuer Laute Nr. 39 C-dur (AuOuvertuerePlusa, Thomasz Aleksander - Sonate Fuer Violine Un1. Adagio - Andante2. Allegro3. Largo4. Allegro AssaiChristy, Earl - Sonate Fuer Laute Nr. 40 C-dur (AuSarabandePlusa, Thomasz Aleksander - Sonate Fuer Violine Un1. Larghetto2. Allegro3. Largo4. AllegroPlusa, Thomasz Aleksander - Sonate Fuer Violine So1. (Ohne Satzbezeichnung)2. Allegro3. Gigue4. VariationChristy, Earl - Sonate Fuer Laute Nr. 39 C-dur (AuPrestoPlusa, Thomasz Aleksander - Sonate Fuer Violine Un1. Adagio2. Presto3. Affettuoso4. Vivace? Johann Georg Pisendel (1687-1755) was born into a musical family (hisfather was Cantor), and from an early age he received lessons as achorister and in violin, his teacher being the famous Giuseppe Torelli.Further studies brought him to Weimar where he met Johann SebastianBach (his near-contemporary) and Leipzig, where he met Telemann. In1712 he joined the famous court orchestra of Dresden, where he stayedtill his death in 1755.? The acquaintance and friendship of the two musical giants of the time,Bach and Telemann, left a firm imprint on him as a composer andviolinist. On the other hand Pisendel's astonishing virtuosity influencedBach to a great extent, Bach's solo violin sonatas & partitas would nothave been the same without Pisendel.? This new recording presents three violin sonatas and one violin solosonata by Pisendel, works of staggering technical demands, rich inharmony and freedom of expression. As interludes we hear solo luteworks by Silvius Leopold Weiss.? Played with immense dedication and conviction by young Polish violinistTomasz Aleksander Plusa, who studied with Lucy van Dael, ChristophRousset, Simon Standage, Sigiswald Kuijken and others.

Anbieter: Thalia AT
Stand: 03.06.2020
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Violin Sonatas
17,90 CHF *
zzgl. 3,50 CHF Versand

Christy, Earl - Sonate Fuer Laute Nr. 39 C-dur (AuOuvertuerePlusa, Thomasz Aleksander - Sonate Fuer Violine Un1. Adagio - Andante2. Allegro3. Largo4. Allegro AssaiChristy, Earl - Sonate Fuer Laute Nr. 40 C-dur (AuSarabandePlusa, Thomasz Aleksander - Sonate Fuer Violine Un1. Larghetto2. Allegro3. Largo4. AllegroPlusa, Thomasz Aleksander - Sonate Fuer Violine So1. (Ohne Satzbezeichnung)2. Allegro3. Gigue4. VariationChristy, Earl - Sonate Fuer Laute Nr. 39 C-dur (AuPrestoPlusa, Thomasz Aleksander - Sonate Fuer Violine Un1. Adagio2. Presto3. Affettuoso4. Vivace? Johann Georg Pisendel (1687-1755) was born into a musical family (hisfather was Cantor), and from an early age he received lessons as achorister and in violin, his teacher being the famous Giuseppe Torelli.Further studies brought him to Weimar where he met Johann SebastianBach (his near-contemporary) and Leipzig, where he met Telemann. In1712 he joined the famous court orchestra of Dresden, where he stayedtill his death in 1755.? The acquaintance and friendship of the two musical giants of the time,Bach and Telemann, left a firm imprint on him as a composer andviolinist. On the other hand Pisendel's astonishing virtuosity influencedBach to a great extent, Bach's solo violin sonatas & partitas would nothave been the same without Pisendel.? This new recording presents three violin sonatas and one violin solosonata by Pisendel, works of staggering technical demands, rich inharmony and freedom of expression. As interludes we hear solo luteworks by Silvius Leopold Weiss.? Played with immense dedication and conviction by young Polish violinistTomasz Aleksander Plusa, who studied with Lucy van Dael, ChristophRousset, Simon Standage, Sigiswald Kuijken and others.

Anbieter: Orell Fuessli CH
Stand: 03.06.2020
Zum Angebot